WR2 | Syllabus
Writing 2: Education and Authority
Course Description
Writing 2-3 is an introduction to academic writing and research. The course prepares you for work in a scholarly environment where you will be expected to engage in inquiry, perform analysis, and communicate clearly. We will cultivate these critical practices by reading and analyzing a series of demanding texts, discussing them together, and composing responses to them in the form of essays. Shorter writing assignments will focus on a number of skills that are important for taking part in academic conversations.
During the winter term we will turn our focus to academic research. Our libraries hold an impressive array of traditional and electronic search tools as well as millions of books, journal articles, and assorted media. Although navigating this vast sea of information is intimidating, it is important that you find your way: excellent research skills are fundamental to your undergraduate training, regardless of your chosen field of study. In consideration of its importance, we will spend a significant amount of time learning how to use our library effectively.
COVID-19 Policies & Resources
COVID-19 Information
Classroom Safety
- Do not attend class if you have any symptoms of COVID-19.
- If you test positive: wear a mask, follow isolation protocol, and notify close contacts.
- If you are a close contact, wear a mask and follow the college’s policies on testing.
- Students must report positive results to the Dartmouth College Health Service.
Course Policies
- There will be no penalty for missing class due to COVID-19 illness or its prevention.
- If you miss class or a TA session due to illness, please email me to receive makeup information.
Health & Wellness Resources
- The Dartmouth College Health Service (primary care, counseling, wellness).
- For general information on Dartmouth’s COVID policies, visit Dartmouth Together.
- If you would like to get vaccinated, find a shot near you.
Required Texts
- Open Handbook, by Alan C. Taylor.
- Other course readings are embedded in the syllabus below.
Important Links
Link | Purpose |
---|---|
No Silo | Course website, syllabus, readings, assignments, the Open Handbook. |
Canvas | Submit assignments, contact others, view media. |
Hive | A shared Google drive for collaborative work. |
FAQs | Frequently asked questions about the course. |
Academic Honesty
All work submitted in this course must be your own and be written exclusively for this course. The use of sources (ideas, quotations, paraphrase) must be properly documented. Please read the Academic Honor Principle for more information about the dire consequences of plagiarism. If you are confused about when or how to cite information, please consult the course handbook or ask me about it before submitting your work.
Attendance Policy
Regular attendance is expected. Bracketing religious observance, severe illness, or personal tragedy, no more than three unexcused absences in a single term will be acceptable for this course. This policy applies to regular class meetings, assigned X hours, and TA meetings. Four or more unexcused absences may result in repercussions ranging from significant reduction in GPA to failure of the course. If you have a religious observance that conflicts with your participation in the course, please meet with me beforehand to discuss appropriate accommodations.
Pandemic exceptions to the attendance policy:
There will be no penalty for missing class due to COVID-19 illness or its prevention.
If you miss a class or a TA session due to illness or its prevention, please email me to explain and receive makeup information.
Typical Weekly Workflow
Here is a list of the typical assignments and activities that we will do each week:
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Before we meet to discuss a reading as a class, each of you should carefully read and critically engage the text on your own—interrogating, analyzing, and questioning the arguments, ideas, and assumptions you discover there.
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As you read, I ask that you annotate the text—that is, mark up the text by adding meaningful symbols, marginal notes, and questions on the document itself. Note: this requires that you print out the text before you begin reading it. Bring this annotated copy of the reading with you to class to help you engage in the group discussion and analysis.
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After making your annotations, take critical notes on the text in a separate document. These notes will be valuable to you later, when you write your essays.
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After annotating and taking notes, contribute to Hive—our open-source repository of notes, ideas, and questions about our course readings.
The following three numbered sections explain these practices in more detail:
I. Annotating Texts
Rather than use a laptop or tablet to read our course readings, I ask that you print them out and annotate them as part of your preparations for class. Annotation refers to the process of marking up a text by adding your own words and symbols to the document itself. There is no right or wrong way to mark up a text, but you should develop a system that you are comfortable with and try to stick with it. Your objective in annotation is to flag the key elements of a piece of writing—the thesis,
argumentative claims,
and pieces of evidence.
In addition, use the margins of the text to ask questions, make brief notes, indicate confusion, define unfamiliar terms, and make connections to other texts. This kind of work serves two purposes: first, it helps you maintain a critical focus as you read; second, it helps you later if the text must be used for study or your own writing. If you plan on being successful in college, the ability to rigorously annotate texts is perhaps the most helpful and important skill you can develop.
It is not required to print out and annotate readings from the Open Handbook.
Further advice and caveats about annotation may be found in the “Annotation and Critical Reading” chapter of the Open Handbook.
II. Critical Reading Notes
Create a document for composing critical notes dedicated to each reading. You may prefer to write by hand, although most students make notes using electronic means. (I presently use something called Obsidian to create my own personal knowledge base). Either way, take detailed notes on each of our course texts. Since you will write essays about these texts, these notes will be of significant help to you later. Your aims here should be to:
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Reduce the entire argument to its bare essentials using paraphrase, summary, and selective quotation—carefully documenting page numbers during this activity.
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Interrogate the text by asking questions, raising objections, and making observations.
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Connect and compare the reading to others we have read.
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Define any unfamiliar terms and link the text to any outside research you perform.
At the end of this rigorous process you should have a simplified version of the essay as well as a number of critical observations, questions, and ideas that emerged in the process of reading.
For more detailed information on the creation and purpose of these notes, read the chapter on “Critical Notes” in the Open Handbook.
III. Contribute to Hive
Hive is an open-source repository containing notes, ideas, and questions about our course readings and class discussions. We will build this resource together as a class—sharing the work of interpreting, analyzing, and questioning the complex course readings we encounter.
Our objective for Hive is to explore meaning, discover argumentative structures, evaluate supporting evidence, ask probing questions, connect to other readings, link to relevant resources, and think critically about the implications of a text. The “hive mind” is capable of discovering and creating far more than any one individual. With luck, Hive will become a central resource in our class discussions and an indispensable aid to you as you craft your essays.
You might contribute to Hive by doing some of the following tasks:
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Help create a simplified version of the text’s argumentative structure by presenting an ordered list of claims, reasons, and evidence.
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Ask a question about a difficult passage in the text or offer an answer to one posed by another student.
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Define difficult vocabulary.
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Flag a key portion of the essay that seems worthy of discussion or analysis and explain why it seems significant, or build on the thought of another student who has done so.
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Make a connection between an idea found in one text with others we have read in class (or elsewhere).
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Constructively question, respond, or correct the ideas or work of another student.
We will use a shared Google drive and Google docs to create the Hive resource. Each reading in the syllabus has a corresponding Google document within the shared drive which we will use to collectively explore and interrogate the text.
When you make your contributions to Hive, please ensure that you post in the Google drive associated with your course section. To make this easier, I have flagged the links to each section with an exponential notation, as in the example below:
- 1 : Hive page for section 1 @ 11 hour
- 2 : Hive page for section 2 @ 12 hour
You must use your Dartmouth login credentials to access the drive, not your personal Gmail account. Please authenticate using this G-Suite link: https://google.dartmouth.edu/
Formal Papers
Students will submit three formal essays and several smaller writing assignments in response to our readings and class discussions. The formal essays focus on core features of academic writing: argumentation,
synthesis,
close reading,
and theoretical analysis
. You must compose a minimum of 20 total pages for these formal essays; however, in most cases you will decide the number of pages to turn in for each assignment. The exact nature and objective of each assignment will be explained in greater detail throughout the course of the term.
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Formatting: During the fall term papers must be submitted in the MLA style; in the winter term we will transition to the Chicago style. Information on these styles may be found in the Open Handbook.
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Revisions: It is my practice to return essay drafts to you within one week. Afterward, you will have a minimum of one week to revise your writing. During this two-week revision cycle please feel free to drop by my office hours (or make an appointment) to go over your writing or discuss your ideas.
Grading
Decades of research on grading concludes that it is counterproductive, even harmful, to the process of education. If you care to examine it for yourself, Alfie Kohn has conveniently summarized the key findings of this scholarship.
For the reasons described by Kohn (and other ones we will explore together), this class will not feature traditional letter grades for evaluation. To be sure, I will evaluate your writing and give you rigorous feedback on how to improve. You will receive similar feedback from your colleagues in the class. And you will also perform reflective self-evaluation of your writing and thinking. But at no point will this complex, important work be reduced to a percentage or letter grade.
At the end of the term we will reflect together on your progress, effort, participation, and performance; we will decide together what final grade to enter into Banner. This discussion about your performance in the class will involve our mutual reflection on the following topics:
- Participation
- Attendance
- Collaboration and sharing
- Late, incomplete, missing work
- Growth
- Effort
This list was partially inspired by the grading contract in Asao B. Inoue’s Labor-based Grading Contracts.
To earn this right (and pass the course), all assignments must be completed and a solid attendance record must be kept.
Help With Your Writing
There are many sources of help for your writing assignments. I am happy to meet with you all term during my office hours or by appointment. Each of you will meet with our TA for 45 minutes per week to go over your writing and plan revision.
If you require further help, the Dartmouth Writing Center is a free support service that is dedicated to helping students through all stages of the writing process and at any point in their undergraduate careers. In one-on-one appointments, peer tutors use facilitative approaches to engage students in active dialogue about writing and help them grow as writers. Tutors can help students develop strategies for generating ideas, find and evaluate research sources, outline and organize information, and revise completed drafts. Students may schedule an appointment with a peer tutor by visiting Dartmouth Writing Center website.
Students With Disabilities
Students requesting disability-related accommodations and services for this course are required to register with Student Accessibility Services (SAS; Getting Started with SAS webpage; student.accessibility.services@dartmouth.edu; 1-603-646-9900) and to request that an accommodation email be sent to me in advance of the need for an accommodation. Then, students should schedule a follow-up meeting with me to determine relevant details such as what role SAS or its Testing Center may play in accommodation implementation. This process works best for everyone when completed as early in the quarter as possible. If students have questions about whether they are eligible for accommodations or have concerns about the implementation of their accommodations, they should contact the SAS office. All inquiries and discussions will remain confidential.
Mental Health & Wellbeing
The academic environment is challenging, our terms are intensive, and classes are not the only demanding part of your life. There are a number of resources available to you on campus to support your wellness, including:
- Your undergraduate dean
- The Counseling Center
- The Student Wellness Center
- The student-led Dartmouth Mental Health Union
- The student-led Sexual Assault Peer Alliance (SAPAs)
Please make me aware of anything that will hinder your success in this course.
Symbol Legend
Symbol | Note |
---|---|
Conferences with professor | |
A new major assignment | |
Workshop assignment | |
Assignment due | |
Upload assignment to Canvas | |
Print out work and bring to class | |
Contribute to Hive | |
Peer work, in pairs or groups | |
Discussion topic | |
Course reading from the Open Handbook | |
Course reading download (.pdf) | |
Question of the day™ | |
Friday Soap Box | |
Color alerts used to organize weekly coursework |
Schedule of Readings and Assignments
Week One
Monday, 9.11
In-class work
- Question of the Day™
- Review: syllabus, course policies, websites
- Time for questions
Assignments
- Questions: What is education? What is its purpose? Do some thinking and note-taking on these questions. Arrive to class on Wednesday with some ideas that you can express and defend
- Essay 1 assignment
Wednesday, 9.13
Readings
- Read the entire syllabus very carefully; note any questions or needs for clarification
- Open Handbook, “Annotation and Critical Reading”
- Open Handbook, “Critical Notes”
In-class work
- Question of the day™
- Discuss readings
- Annotation Workshop
- Discussion: What is education? What is its purpose?
Friday, 9.15
Readings
- Open Handbook, “The Joy of Reuse”
In-class work
- Friday Soapbox
- Peer Review: During class time today you will meet with two of your colleagues to perform peer review
- Discuss revision.
Due
- Essay 1 Draft
- Bring a printout of your essay to class
- Submit to Canvas by 10pm
Week Two
Monday, 9.18
Readings
- Nicholson Baker, “Changes of Mind”
Independent work
- Print out, read, annotate, and take critical notes on the reading, then post your contributions to the dedicated Hive page. Read and engage the work of your peers there as well.
- Instructions for submitting to Hive
- Complete Hive work by Sunday @ 10pm EST
In-class work
- Question of the Day™
- Discuss Baker reading and Hive submissions
Wednesday, 9.20
Independent work
- Return to Hive and engage the work of your peers there. Reflect further on the reading and prepare for discussion.
In-class work
- Question of the Day™
- Discuss Baker reading and Hive submissions
- Argument Analysis Workshop
Friday, 9.22
In-class work
- Friday Soapbox
- Argument Analysis Workshop
Assignments
Week Three
Monday, 9.25
Readings
- Walker Percy, “The Loss of the Creature”
Independent work
- Print out, read, annotate, and take critical notes on the reading, then post your contributions to the dedicated Hive page. Read and engage the work of your peers there as well.
- Complete Hive work by Sunday @ 10pm EST
In-class work
- Question of the Day™
- Discuss Percy reading and Hive submissions
Wednesday, 9.27
Independent work
- Return to Hive and engage the work of your peers there
In-class work
- Question of the Day™
- Discuss Percy reading & Hive submissions
Friday, 9.29
Readings
- Open Handbook, “MLA Style” (skim, as needed)
- Open Handbook, “Working with Sources”
- Percy, related news story
In-class work
- Friday Soapbox
- Discuss Percy and related news story
- Working with Sources Workshop
Assignments
Due
- Argument Summary Workshop
- Bring printout of your workshop to class
- Submit to Canvas by 10pm
- Essay One Final
Week Four
Monday, 10.2
Readings
- Paulo Freire, “The Banking Concept of Education”
Independent work
- Print out, read, annotate, and take critical notes on the reading, then post your contributions to the dedicated Hive page. Read and engage the work of your peers there as well.
- Complete Hive work by Sunday @ 10pm EST
In-class work
- Question of the Day™
- Discuss Freire reading and Hive submissions
Wednesday, 10.4
Independent work
- Return to Hive and engage the work of your peers there.
In-class work
- Question of the Day™
- Discuss Freire reading and Hive submissions
Friday, 10.6
In-class work
- Friday Soapbox
- Discuss Freire reading
- Review answers to Working with Sources Workshop
- Argument Synthesis Workshop
Assignments
Due
- Working with Sources Workshop
- Bring printout of your workshop to class
Week Five
Monday, 10.9
In-class work
- Argument Synthesis Workshop cont. Continue your work in the Hive page for the synthesis essay.
Wednesday, 10.11
In-class work
- Argument Synthesis Workshop cont. Continue your work in the Hive page for the synthesis essay.
Friday, 10.13
Readings
- Open Handbook, “Altering Sources”
- Open Handbook, “Plagiarism”
In-class work
- Friday Soapbox
- Peer Review of Essay 2.
Assignments
Due
- Essay 2 Draft
- Bring printout of your essay to class
- Submit to Canvas by 10pm
Week Six
Monday, 10.16
Readings
- Wes Anderson, Rushmore (1998). Film is in the “Course Media” section of Canvas.
Independent work
- View and take critical notes on the film, then post your contributions to the Hive page dedicated to the reading. Read and engage the work of your peers there as well.
- Complete Hive work by Sunday @ 10pm EST
In-class work
- Question of the Day™
- Discuss film and Hive submissions
Wednesday, 10.18
In-class work
- Question of the Day™
- Discuss film and Hive submissions
- Theoretical analysis & visual rhetoric workshop
Assignments
Friday, 10.20
In-class work
- Friday Soapbox
- Review answers to Altering Sources Workshop
Assignments
- Bibliography | Works Cited workshop
Due
- Altering Sources Workshop
- Bring printout of your workshop to class
Week Seven
Monday, 10.23
In-class work
- Peer work
- Open-source brainstorming
- Revision
Wednesday, 10.25
In-class work
- Peer work
- Open-source brainstorming
- Revision
Friday, 10.27
In-class work
- Friday Soapbox
- Review answers to Bibliography | Works Cited workshop
Due
- Essay 2 Final
- Bibliography | Works Cited workshop
- Bring printout of your workshop to class
Week Eight
Monday, 10.30
Readings
- Matthew Crawford, “The Case for Working with your Hands”
Independent work
- Print out, read, annotate, and take critical notes on the reading, then post your contributions to the dedicated Hive page. Read and engage the work of your peers there as well.
- Complete Hive work by Sunday @ 10pm EST
In-class work
- Question of the Day™
- Discuss Crawford reading and Hive submissions
Wednesday, 11.1
In-class work
- Question of the Day™
- Peer Review
- Open-source brainstorming
- Revision
Friday, 11.3
In-class work
- Friday Soapbox
- Show, don’t tell workshop
- Peer Review of Essay 3
Due
- Essay 3 Draft
- Bring printout of your essay to class
- Submit to Canvas by 10pm
Assignments
- Show, don’t tell workshop
Week Nine
Monday, 11.6
In-class work
Assignments
Wednesday, 11.8
In-class work
Friday, 11.10
In-class work
- Friday Soapbox
- Review answers to Show, don’t tell workshop
Week Ten
Monday, 11.13
In-class work
- Question of the Day™
- Eat celebratory donuts!
- Winter Meetings
- Introduction to Writing 3
Friday, 11.17
Due
- Essay 3 Final